Well, for better or worse, here's the final full submission of images (In four sets of four as they appear in the portfolio)! Printed both as A2 on Innova Smooth Cotton High White 100% Cotton 315 gsm and as A3 on German Etching 310 gsm - not yet sure which of these two will be submitted this coming Wednesday. Will sleep on it. Just relieved it is all over...as I had already put the essay to print last week. It doesn't seem much now it's all together - but for me it has been a real voyage of discovery and something of a trial too.
The text that accompanies the prints runs as follows:
The lights gleams an instant then it's night once more
Pozzo, Waiting For Godot, Samuel Beckett
Out Of The Woods - A Painter's View explores the subtleties of the natural world through the prism of the artist's body. The landscape is viewed through the artist's X ray of his diaphragm and the mechanics of the body suggest contrasts between inhaling and exhaling, light and dark, between what comes to life and what passes away.
The images capture the fleeting moments of light; that 'sweet light' around the rising and setting of the sun, when the light is warm. They invite the viewer to look a little slower, wait a little longer, and discover subtle nuances of colour, line, form and texture.
The portfolio encourages a reading of the land that is a form of the contemporary sublime and a meditation on the purpose and meaning of our lives measured against the enormity of our natural world.
To experience a thing as beautiful means to experience it wrongly